Synopsis: With the new year approaching, hospital chaplain Lindsay Harding heads for a much-needed break in the peaceful resort town of Duck on North Carolina’s outer banks. Her plan to attend the wedding of her friend, Anna, runs aground when a boatload of trouble washes ashore, and as the old year ticks down, the body count goes up. Thrust into the path of an increasingly desperate killer, Lindsay must uncover a sinister secret before she winds up swimming with the fishes.
Old family scandals, sunken World War II U-boats, obscene desserts, and a stolen Doberman all guarantee a far from restful break for the irreverent reverend, who makes her second appearance in this lively mystery.
Another entertaining read that didn’t disappoint. Book 2 in the Lindsay Harding mystery series was just as good the first one. There’s a lot of moving parts to this book, but at the core is the bizarre death of Lindsay’s aunt Patty in the city of Duck. Great storytelling. Narrator Holly Adams delivers another spectacular performance and is just as good as any narrator I’ve heard. The various accents are truly remarkable. Lindsay’s best friend Ron speaks English with an Asian accent. Her best friend Anna and her mother have a distinguished southern accent. Family friend Simmy has an unusual accent from North Carolina which I’ve never even heard of, and villain Leeland has distinct voice of his own. Keeping all these straight, switching back and forth between characters and narrator voice is magical. I’m still not sure how the good narrators are able to pull this off. Amazing!
How closely did you work with your narrator before and during the recording process? Did you give them any pronunciation tips or special insight into the characters?
In my second book, A Death in Duck, there are a few characters who speak with an Outer Banks (of North Carolina) accent. That accent is a trip! It sounds like an Irish accent and a Southern accent had a baby, and that baby was born with a mouth full of marbles. 🙂 Holly and I talked a lot about how to render it accurately, but still make it understandable for the purposes of the recording.
Are you an audiobook listener? What about the audiobook format appeals to you?
I know this is cliche, but OMG the Harry Potter audiobooks narrated by Jim Dale are THE BEST. I also quite liked Eddie Izzard’s reading of Great Expectations. I knew Izzard as a quirky comedian who often performed in drag, so I was extra impressed by his skill as a narrator.
For me, a good audiobook is all about the sharpness of the characterizations. With the Dale and Izzard readings, you can tell who’s speaking almost as if you were listening to dozens of actors rather than just one.
If you had the power to time travel, would you use it? If yes, when and where would you go?
I’ve seen enough sci-fi movies and TV shows to know that time travel always ends badly. I’ll have to be content with time traveling through books and movies, because I sure as heck am not going to be the one responsible for setting off a catastrophic chain of events by accidentally stepping on a butterfly in 1722.
What do you say to those who view listening to audiobooks as “cheating” or as inferior to “real reading”?
That question is best answered by punching those dumb-dumbs in the face. Seriously, though, whatever way someone chooses to inject narrative content into their brains is okay by me. Some people have long commutes, and audiobooks provide a great companion. Some people, like my grandmother, have vision impairments that prevent them from reading. Audiobooks are her lifeline. Personally, I love reading, listening to audiobooks, and watching movies and TV shows. I even like hearing storytellers at events and festivals. A great story is a great story, no matter how it gets from one person to another.
How did you celebrate after finishing this novel?
I never really feel like writing projects are finished, so I don’t celebrate. I mean, are you supposed to celebrate when you finish the draft? The corrections? Submit it to your agent? Return the page proofs? See it in print? Register your first sale? Get your first review? I’d be hungover for months, if not years!
I just finished a full draft of a middle-grade novel I’m working on, and I’ll tell you exactly how I celebrated. I went into the bathroom, where my husband was brushing his teeth and said, “Well, I think I’m done with that book I’ve been working on for three years.” We high-fived and then went to bed.
About the Author: Mindy Quigley
Mindy Quigley is the author of the Mount Moriah cozy mystery series, which is based in part on her time working with the chaplains at Duke University Medical Center. Her short stories have won awards including the 2013 Bloody Scotland Short Story Competition and the 2018 Artemis Journal/Lightbringer Prize. Her non-writing career has been stranger than fiction, taking her from the US to the UK, where she worked as the personal assistant to the scientist who cloned Dolly the sheep, and as project manager for a research clinic founded by the author J.K. Rowling.
She now lives in Blacksburg, Virginia, with her Civil War history professor husband, their children, and their idiosyncratic miniature Schnauzer.
An actress and physical theatre performer for many years before becoming a Voice Actor, Holly continues to divide her time between stage, screen, circus, and audiobook narration.
Holly began her VO career doing radioplays and audiobook characters with the amazing Full Cast Audio company. Since then, Holly has voiced radio and web commercials, various e-learning projects, documentary shorts. . . and of course, audiobooks! She has been nominated for Best Fiction and Best Female Narrator. Holly has conservatory training; her attention to tone, energy and rhythm make her work personal and dynamic. Holly’s performance projects abroad (Italy, Afghanistan, Haiti, Russia, the UK, France, and the Middle East!) support her training and skill with dialects and languages.
Holly records for Audible, Deyan Audio, Christian Audiobooks, Tantor, and more. Holly loves telling stories!
When she’s not in the recording studio, she is on stage or screen; favorite projects include Richard II, A Midsummer Night’s Dream, As You Like It, the films “Here Alone”, “Gotham Blue” and “Your Loving, Virginia”, working with girls in Kabul for the Afghan Children’s Circus and with performers in Balan, Haiti, as well as with her ‘home circus’ Circus Culture. Holly is a SAG-AFTRA performer, a graduate of the International Dell ‘Arte School, and holds a Master’s in Theatre, Education and Social Change. Https://shearwaterproductions.com/voice-actor and on IMDb as Holly Adams III.